I'm not sure if the punctuation is correct, but this is just a little something I made on photoshop. It's becoming one of my favorite quotes. Will Shakespeare was a wise, wise man.
"I have two luxuries to brood over in my walks; your loveliness and the hour of my death. O that I could have possession of them both in the same minute"
I was messing around on different poetry sites today and this one greatly stood out to me. You don't usually see many poems about revenge. Pain, love, melancholy? Yes. But revenge? No. Thought I'd share it with you all on this rainy night in Georgia!
I'm having a thought here; on Of The Thing Sung I share poems, quotes from novels and I even sometimes talk about plays, films and book reviews. But what do I not talk about? Music. It's in the very title of my blog and I don't talk about it! Tsk Tsk
Lyrics have the ability to define generations in the same way that novels do. Bruce Springsteen's Thunder Road, J.D. Salinger's The Catcher in the Rye, The Rolling Stones' Gimme Shelter and F. Scott Fitzgerald's The Great Gatsby. Need I say more?
I want to start a new segment to remedy this problem. Weekly, if not more frequently, I want to feature a musician whose lyrics demonstrate that they understand love of the thing sung, not of the song or of the singing.
Here's the first, a beautiful song by Irishman James Vincent McMorrow. Endlessly inspiring and nostalgic.
verse 1
if this is redemption, why do i bother at all theres nothing to mention, and nothing has changed still i’d rather be working at something, than praying for the rain so i wander on, till someone else is saved
i moved to the coast, under a mountain swam in the ocean, slept on my own at dawn i would watch the sun, cut ribbons through the bay i’d remember all, the things my mother wrote
chorus
that we dont eat until your fathers at the table we dont drink until the devils turned to dust never once has any man i’ve met been able to love so if i were you, i’d have a little trust
verse 2
two thousand years, i’ve been in that water two thousand years, sunk like a stone desperately reaching for nets that the fishermen have thrown trying to find, a little bit of hope
me i was holding, all of my secrets soft and hid pages were folded, then there was nothing at all so if in the future i might, need myself a saviour i’ll remember what was, written on that wall
chorus
bridge
am i an honest man and true have i been good to you at all oh i’m so tired of playing these games we’d just be running down the same old lines, the same old stories of breathless trains and, worn down glories houses burning, worlds that turn on their own
chorus
so we dont eat until your fathers at the table we dont drink until the devils turned to dust and never once has, any man i’ve met been able to love so if i were you my friend learn to have just a, little bit of trust.
Always forgive your enemies; nothing annoys them so much
- Oscar Wilde
The safest road to hell is the gradual one - the gentle slope, soft underfoot, without sudden turnings, without milestones, without signposts.
- C.S. Lewis in The Screwtape Letters
Here's an excerpt from the book's jacket if you need a little explanation!
Bennie Ford, a fifty-three-year-old failed poet turned translator, is traveling to his estranged daughter’s wedding when his flight is canceled. Stuck with thousands of fuming passengers in the purgatory of O’Hare International Airport, he watches the clock tick and realizes that he will miss the ceremony. Frustrated, irate, and helpless, Bennie does the only thing he can: he starts to write a letter. But what begins as a hilariously excoriating demand for a refund soon becomes a lament for a life gone awry, for years misspent, talent wasted, and happiness lost. Bennie’s writing is infused with a sense of remorse for the actions of a lifetime—and made all the more urgent by the fading hope that if he can just make it to the wedding, he might have a chance to do something right.
This novel is one of my absolute favorites! I've read Dear American Airlines once a year for the past three years and I just adore it. I read it months ago and I still get caught up in thinking about its beautiful moments.
Like when Bennie's proud Southern mother, Miss Willa, reduced by a stroke to scrawling messages to him on post-it notes, suspects he will commit suicide after his daughter's wedding. As he is preparing to leave for the airport, she hands him a post-it that says only, "no."
And when Bennie tries to win the love of his life, Stella, back by screaming her name at the bottom of their apartment steps. At the time they were living in New Orleans. He immediately stops screaming, realizing the ridiculousness of life. Brooding and bitter at literature for stealing his scene, for the rest of his life he swears that if she had a different name, he would have won her back.
I love how Jonathan Miles weaves Bennie's past (the stories of his childhood, his love for Stella and their daughter) his present (hilarious anecdotes about the absurdity of airport travel) and his uncertain future (for twenty years he has been living only for walking his daughter down the aisle. When that is done...) all into one LETTER. It's a letter people! GAH Brilliant. Hilarious. Touching. Sad. Loved it.
At just under 200 pages, it's a quick read and would be a perfect airport companion novel (Irony I'm sure Bennie would appreciate). If I were a Hollywood director I would snatch this up. The movie version would have OSCAR written all over it.